The starting point for Living The Lie is a true story: after twenty years of pretending to be a doctor working for the World Health Organisation in Geneva, Jean-Claude Romand murdered his parents, wife and children and set fire to his house. He failed to kill himself and so was subsequently brought to trial and his story brought to light. As it has already been the subject of a book and two films, I felt free to move away from the facts and explore what interested me in what has become a sort of modern myth. The action takes place in the course of a single evening and the morning after as the tension reaches a paroxysm and becomes unbearable but which in the play is relieved by dark comedy. My character has invented himself a career in advertising, trying desperately to keep up appearances in a society obsessed with image. His deeply dysfunctional marriage is intertwined with that of another, apparently more “normal” couple. But how normal is “normal”? What separates the sane from the insane? How deep are the cracks in the façade of normality? How different are we the audience from the characters on stage?

Extract:

Evening. Marc, Jean, Laurence and Carole come out of the house.

MARC                          A bubble?

JEAN                             A bubble, yes. Brilliant, isn’t it?

Pause

LAURENCE                 Marc… That was very nice, Carole.

MARC                          What? I didn’t say anything.

LAURENCE                 I’ve got nothing against frozen food, I’m all for it. It’s lovely here.

JEAN                             For an advertising agency? It says it all.

Pause

LAURENCE                 No, really. Beautiful weather too. We never even see the sun at our place… All what?

JEAN                             No but, a bubble, what does it bring to mind?

Pause

MARC                          Soap.

JEAN                             Exactly! Soap, washing powder, that’s our roots. That’s where it all started.

Pause

MARC                          So what?

JEAN                             But not only that. Bubbles equal champagne, parties, luxury!

LAURENCE                 That’s true. Where’s Jérôme gone? Has he gone up to his room? Must be boring for him.

JEAN                             They’re beautiful, fragile, ephemeral – just like life…

LAURENCE                 He seems a nice boy. Doesn’t have much to say, but he seems nice…

JEAN                             And then, think of comic strips. Bubbles are for speech, language, thought.

MARC                          Schlak kerpow…

LAURENCE                 Takes after his mother…

JEAN                             What is a bubble? It’s a transparent protective film. And what’s inside it?

LAURENCE                 Nothing.

JEAN                             Yes well, there’s air. Oxygen.

LAURENCE                 Life.

JEAN                             Exactly.

LAURENCE                 We should have brought the girls. Would have been more fun for Jérôme.

MARC                          So according to you advertising is life?

JEAN                             Well, it’s my life anyway. And it’s the same for Giorgio.

LAURENCE                 Do you know him well?

JEAN                             I gave him the title for his book.

MARC                          “Lying for a living”?

JEAN                             And I had my say for the new firm too.

LAURENCE                 You told him to leave? But he was doing so well.

JEAN                             Of course. But it was stifling us. We were stuck in a rut of preconceptions. Jean-Jacques could sell fridges to Eskimos but when it comes to striking out….

LAURENCE                 Jean-Jacques Weinstein?

JEAN                             Weinstein, yes. He’s nobody’s fool but he just lacks that little something extra…

LAURENCE                 You call them all by their Christian names…

JEAN                             That little something that Giorgio’s got that separates genius from mere mortals…

MARC                          What about you?

JEAN                             Me?

MARC                          Have you got that little something extra?

LAURENCE                 Marc…

JEAN                             Giorgio’s the one that’s got that.

MARC                          You’re not a genius then?

JEAN                             I should have thought you were aware of that by now.

MARC                          Oh, I don’t know, I got everything else wrong, so….

Pause

LAURENCE                 But what do you have against Weinstein?

JEAN                             We don’t have anything against him. He is what he is. He’s not an artist.

MARC                          And Bruni is?

LAURENCE                 What’s he got that the others haven’t?

JEAN                             I consider Giorgio to be the greatest artist of our times.

MARC                          We get the artists we deserve.

JEAN                             The others are artisans. Craftsmen. Giorgio is a visionary. Who said advertising should be only about selling? Why should everything be reduced to a message? Giorgio said to me one day, he said, “Jeannot…”

LAURENCE                 He calls you Jeannot?

JEAN                             He said, “Listen.”

LAURENCE                 Like the rabbit…

JEAN                             “We’ve worked for the market economy, we’ve done our bit for the politicians, it’s time to break free from the yoke of utilitarianism. We have to shrug off the shackles of salesmanship. No brand, no message! Communication for communication’s sake!” He’s brilliant. With his accent it’s even better.

MARC                          But what does it mean?

JEAN                             It means we won’t be working for anyone any more. We won’t be trying to get anything across. We just do it because we do it. That’s all there is to it.

Pause

LAURENCE                 But how will that make you any money?

JEAN                             It won’t. That’s the beauty of it. It’s a luxury we can afford. Don’t worry, Giorgio’s got his head screwed on. He’s keeping his shares in the old agency.

LAURENCE                 But you’ll be working in this…

MARC                          Bubble?

JEAN                             That’s where the future lies, I’m convinced of it. Giorgio and I go back a long way. I trust him.

MARC                          Does he trust you?